“Yaddo” by David Galef (published in Volume 14 Issue 1 (2003) of The Formalist) seems to suggest that feeling just before one writes of somehow having to do everything else possible before beginning, even though once the writing begins it is one of the most enjoyable experiences possible.
The short line length seems to accentuate the feeling of being on the cusp, which works with images like ledge, edge, trembling, encroaching, promise, frustrate, etc. The rhymes are not that original but are very pertinent in places, especially the emphasis that the rhyme gives to edge and ledge and the congruence that is made between sight and write. Even these rhymes are not uncommon, but they are used to great effect here.
My favorite part of the poem is the analogy between the glass of water and the man. It is set up as a simple simile, but it travels throughout the poem and becomes a metaphoric representation. It is half-empty, but has a promise of fullness. Its consumption is frustrating, yet filling–always demanding “one more sip have a peek at this web-site.”
The speaker of the poem seems to present a front of disinterestedness, but his subject belies the calm of the words. The cumulative effect is that the diction presents one emotion, and the content another. Both are valid, and they work together to create a picture of the writer who is objective, and yet somehow pours himself into his work.