I see, at least within the poem, ‘make’ representing cooperative creation, while ‘being’ includes all of the individuated effort that she talks about. Poetry and essays might in fact be seen as a part of the great repulsive effort that we make (that darn word keeps popping up where I don’t want it) to individuate ourselves. So again I think the poem sort of bounces or really perhaps hovers between the two tropes, and I’ll admit to a little grandstanding at the end of my essay as well, the question is perhaps somewhat inappropriate.
It may be too much of a stretch to make the connection that I did between make and cooperation, and indeed, I was somewhat deflated by the fact that, with two poignant line breaks like those at the beginning of the poem, the subtext that they created was not more directly addressed in the rest of the poem. I perhaps struggled to hard to impute intent when there may have been none.
It is true, also, that there are fragments of the celestial throughout the poem. Her point with regard to the equation of the celestial with the personal is well made, and is akin to the ideas of order in the middle ages, with the celestial reflected in society reflected in the very humors of the body and as such, probably worth playing upon in the poem. Science, too, finds connections and mirroring between the macro and micro, from electronic and gravitic forces to the insidious quanta of Schröedinger’s cat. Nevertheless, on a personal level, I wanted things within the poem to stay at the micro level, at most hinting at a higher plane. The passage itself also seems just a little too high-falutin’ and grandiose. I will admit, though, that it is merely personal preference, my own micro-aesthetic, if you will.